Subtitle Season Of The Witch

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The film departs from the slasher genre of the other installments, instead featuring a \"witchcraft\" theme with science fiction aspects. John Carpenter and Debra Hill believed that the Halloween series could have been an anthology series of films that centered around Halloween night, with each sequel containing its own characters, setting, and storyline. Director Wallace stated there were many ideas for Halloween-themed films, some of which could have potentially created any number of their own sequels, and that Season of the Witch was meant to be the first.[citation needed]

Special effects artist Don Post of Post Studios designed the latex masks in the film which included a glow-in-the-dark skull, a lime-green witch and an orange Day-Glo jack-o'-lantern.[8] Hill told Aljean Harmetz, \"We didn't exactly have a whole lot of money for things like props, so we asked Post, who had provided The Shape mask for the earlier 'Halloween' [II] ... , if we could work out a deal.\"[9] The skull and witch masks were adaptations of standard Post Studios masks, but the jack-o'-lantern was created specifically for Halloween III. Post linked the masks of the film to the popularity of masks in the real world:

Producers recruited British science fiction writer Nigel Kneale to write the original screenplay, mostly because Carpenter admired his Quatermass series.[13] Kneale said his script did not include \"horror for horror's sake\".[14] He adds, \"The main story had to do with deception, psychological shocks rather than physical ones.\" Kneale asserts that movie mogul Dino De Laurentiis, owner of the film's distribution rights, did not care for it and ordered more graphic violence and gore.[15] While much of the plot remained the same, the alterations displeased Kneale, and he requested that his name be removed from the credits. Director Tommy Lee Wallace was then assigned to revise the script.[16][17][18] He explained in the interview the direction that Carpenter and Hill wanted to take the Halloween series, stating, \"It is our intention to create an anthology out of the series, sort of along the lines of Night Gallery, or The Twilight Zone, only on a much larger scale, of course.\"[19] Each year, a new film would be released that focused on some aspect of the Halloween season.[20][21]

Veteran Irish actor Dan O'Herlihy was cast as Conal Cochran, the owner of Silver Shamrock and the witch from the film's title (a 3000-year-old demon in Kneale's original script).[7] O'Herlihy had played close to 150 roles before co-starring as the Irish trickster and was nominated for an Academy Award for his performance in The Adventures of Robinson Crusoe (1954).[33][34] He appeared in another twenty films and television series before his death in 2005.[35] O'Herlihy admitted in an interview with Starlog magazine that he was not particularly impressed with the finished film. When asked what he thought of working in the horror film, O'Herlihy responded, \"Whenever I use a Cork accent, I'm having a good time, and I used a Cork accent in [Halloween III]. I thoroughly enjoyed the role, but I didn't think it was much of a picture, no.\"[36] Two members of the supporting cast were not strangers to the Halloween series. Nancy Kyes played Challis's ex-wife Linda; she had appeared in the first two Halloween films as Laurie Strode's promiscuous friend Annie Brackett.[37] Stunt performer Dick Warlock makes a cameo appearance as an android assassin.[38] Warlock had earlier co-starred as Michael Myers in Halloween II.[38] Jamie Lee Curtis also provided uncredited voice work as the Santa Mira curfew announcer and the telephone operator.[39] Tommy Lee Wallace also provided uncredited voice work as the Silver Shamrock Commercial Announcer.

Tom Milne of Time Out offered a more positive review, calling the title \"a bit of a cheat, since the indestructible psycho of the first two films plays no part here.\" Unlike other critics, Milne thought the new plot was refreshing: \"With the possibilities of the characters [of the previous Halloween films] well and truly exhausted, Season of the Witch turns more profitably to a marvellously ingenious Nigel Kneale tale of a toymaker and his fiendish plan to restore Halloween to its witch cult origins.\" Although Milne was unhappy that Kneale's original script was reduced to \"a bit of a mess\", he still believed the end result was \"hugely enjoyable\".[61]

In 1983, Edd Riveria, designer of the film's theatrical poster, received a Saturn Award nomination from the Academy of Science Fiction, Fantasy & Horror Films, USA, for Best Poster Art, but lost to John Alvin's E.T.: The Extra-Terrestrial (1982) artwork. Riveria's poster art featured a demonic face descending on three trick-or-treaters. His artwork was later featured on the cover of Fangoria in October 1982. The stylized face on the theatrical poster is actually a distorted image of the witch mask which appears in the film. The image of the trick-or-treaters is similar to a shot in the movie that shows children in Phoenix, Arizona walking in silhouette with a red sunset in the background.

As part of a merchandising campaign, the producers requested Don Post to mass-produce the skull, witch, and jack-o'-lantern masks.[9] Producers had given exclusive merchandising rights to Post as part of his contract for working on the film, and Post Studios had already successfully marketed tie-in masks for the classic Universal Monsters, Planet of the Apes (1968), Star Wars (1977), and E.T.: The Extra-Terrestrial (1982). Post used the original molds for the masks in the film to mass-produce masks for retail sale. He speculated, \"Because the masks are so significant to the movie, they could become a cult item, with fans wanting to wear them when they go to see the movie.\" Post also gave mask-making demonstrations for a Universal Studio tour in Hollywood. The masks retailed for $25 when they finally appeared in stores. In October 2019, NECA announced that they would be releasing three 8\" action figures of The Pumpkin, Witch, and Skull, which were released in March 2020.[9]

Halloween III: Season of the Witch is a 1982 American horror film and the third installment in the Halloween series. Directed by Tommy Lee Wallace and starring Tom Atkins, Stacey Nelkin, and Dan O'Herlihy, the film is based on an original screenplay by Nigel Kneale and focuses on an evil scheme by the owner of a mask company to kill the children of America on Halloween night through a series of popular Halloween masks: a witch, a jack-o'-lantern, and a skull.

Season of the Witch does not feature Michael Myers, and is unrelated to the other films in the franchise. It was originally intended to turn Halloween into an anthology series, offering a different Halloween storyline every year. The only connection this movie has with the others in the series is a scene where a trailer for John Carpenter's original 1978 Halloween is seen on a TV. Besides wholly abandoning the Michael Myers plotline, Halloween III departs from the slasher film genre which the original Halloween spawned. The focus on a psychopathic killer is replaced by a \"mad scientist and witchcraft\" theme.

At almost 8 pm in another part of town, alcoholic father of two Dr. Daniel Challis arrived home late to his ex-wife Linda Challis, with presents of plain Halloween masks for his two children. They were disappointed and told him how their mother had already bought them scarier latex Silver Shamrock masks - the skeletal skull and the green-faced witch varieties. He was immediately summoned back to the hospital, where he treated Grimbridge, who was cryptically ranting on a stretcher: \"They're going to kill us. All of us.\" The crazed patient was treated with a dosage of Thorazine, and placed in hospital room 13. Soon after, another business-suited man with black gloves gouged out his eyes with two fingers and gruesomely pulled his skull apart. The henchman methodically wiped the blood off on a curtain and returned to his vehicle outside the hospital. There, he strangely committed suicide by dousing himself with gasoline and setting himself on fire, causing his car to explode.

Dr. Challis was compelled to watch a video demonstration of Cochran's sinister plan for Halloween night involving the Kupfer family in a simulated living room. After they were seated in the windowless, locked metal room, they viewed the Silver Shamrock television commercial that was to air that night throughout the country: (Announcer) \"It's time. It's time. Time for the big giveaway. Halloween has come. All you lucky kids with Silver Shamrock masks, gather 'round your TV set. Put on your masks and watch. All witches, all skeletons, all Jack-O-Lanterns. Gather 'round and watch. Watch the magic pumpkin. Watch...\" As both the pumpkin head on TV and the trademark button on \"Little\" Buddy's jack-o-lantern mask blinked on and off, the young boy suddenly clutched his head. When the trademark chip activated (constructed with a piece of the ancient Stonehenge monolith), it activated a lethal laser beam, caused severe brain and head damage to \"Little\" Buddy, and transformed his head into crawling insects and swarming snakes under the mask as he died. Both Buddy's mother and father were the next to die, attacked and swarmed by venomous snakes. 59ce067264

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